Pranapratishtha, The Consecration RitualTerry Curell2019-11-08T05:40:41-08:00
Pranapratishtha, The Consecration Ritual
Many indignities will have been heaped upon your sculpture as part of its creation process and Pranapratishtha symbolically transitions your sculpture from lifeless metal to a sacred icon. When performed in a temple the rites are elaborate and lengthy, although we hope you find a simple home ritual will be sufficient.
Your icon will arrive in synthetic packing material, wrapped in silk and its eyes covered. Natural silk forms a barrier between the image and its synthetic packing material, while a blindfold’s purpose will become clear later. As you unpack and install your piece, the ritual starts with performing puja, accompanied by a mantra such as the Gayatri (this particular version, performed by Deva Premal, is our personal favourite). In the spirit of ancient tradition, you may wish to treat your sculpture as an honoured guest arriving after a long journey, by offering refreshment and flowers after placing the image’s face towards the east, marking the sunrise. This could be followed by Nyasa, the touching of different parts of the image signifying the presence of various gods as sensory organs; Indra as hand, Brahma as heart, Surya as eyes, and so on, all accompanied by a mantra such as the Gayatri. The final ritual is chaksunmilan, the ‘opening of the eyes’ when you’ll remove the blindfold. Your sculpture is now considered consecrated.